Often during my daily predictions and searches for the winning combinations in horseracing , the same problem comes up time and time again, how to separate the numbers ?
Let me explain...some days the numbers come out crystal clear, otherdays the numbers seem to stick together. The most difficult numbers to separate are the 1, 10 and 11; often they appear disguised as 2, 12, 3, 13 etc.
The same can be true of any number, or any combination of numbers. For example the number 2 followed by the number 14 can add together and appear as 16 or separate out and become 2 followed by 1 followed by 4
Does anyone have a solution?
This isnt an answer Blubird more of a question.
Do you always bet using a number system OR do you study form as well. Or perhaps mix the two systems.
Ive always found the subject interesting and suppose it leads me to think, could you use a numerical system to do the ultimate in gambling ( to me anyway ) and win the lottery.
I always pick the same numbers and hope to attract the balls to the numbers. Perhaps others try to attract the right numbers.
I would be interested to know a little about the system or at least the rationale behind it.
answered 12 Jan '11, 10:50
Here is a method based on the dynamic visualization technics of Uri Geller ... i particularly like when he talks of basketball "i could produce fantastic hook shots by concentrating on the ball and making it go straight into the basket ... it was done with sheer willpower and visualization. i was able to grab the ball with my psychic energy and deliver it into the basket" ... and i am also inspired by the extraordinary visualization and telepathic abilities of aborigines, they too can probably deviate their boomerangs in a similar fashion ... here is a short article about aborigines;
Applying similar principles to horse race predictions ... principles that i like to think of as being a kind of exteriorization of thought energy ... of creating in the mind the result of a real action during or before it actually takes place ... the following method gives very satisfactory results and has the advantage of being simple ... sit quietly as in meditation watching in real time the horse race in question on direct tv and just a few minutes before the horse race actually starts, mentally project the numbers onto an imaginary screen, as you would actually see them on the tv screen ... when the numbers are correct there is accord and the pendulum will indicate "positive" ... the pendulum acts as an energy amplifier ... with practice it should be possible to simply feel the response without the aid of an amplifying instrument.
In my audience sat a man who, by his confession, was broke. He had read the same book, but he suddenly realized he had done nothing with the use of his imagination to solve his financial problem.
He decided he would try to imagine himself as the winner of the 5-10 pool at Caliente Race Track. In his words: "In this pool, one attempts to pick winners in the fifth through the tenth races. So this is what I did: In my imagination I stood, sorting my tickets and feeling as I did so, that I had each of the six winners. I enacted this scene over and over in my imagination, until I actually felt 'goose pimples'. Then I 'saw' the cashier giving me a large sum of money which I placed beneath my imaginary shirt.
This was my entire imaginal drama; and for three weeks, night after night, I enacted this scene and fell asleep in the action.
"After three weeks I traveled physically to the Caliente Race Track, and on that day every detail of my imaginative play was actually realized. The only change in the scene was that the cashier gave me a check for a total of $84,000.00 instead of currency." ...T.K.
After my lecture the night this story was told, a man in the audience asked me if I thought it possible for him to duplicate T.K.'s experience. I told him he must decide the circumstances of his imaginal scene himself but that whatever scene he chose, he must create a drama he could make natural to himself and imagine the end intently with all the feeling he could muster; he must not labor for the means to the end but live imaginatively in the feeling of the wish fulfilled.
One month later he showed me a check for $16,000.00 which he had won in another 5-10 pool at the same Caliente Race Track the previous day.
This man had a sequel to his most interesting duplication of T.K.'s good fortune. His first win took care of his immediate financial difficulties although he wanted more money for future family security. Also, and more important to him, he wanted to prove that this had not been an "accident". He reasoned that if his good luck could happen a second time in succession, the so-called "law of percentages" would give way to proof for him that his imaginal structures were actually producing this miraculous "reality". And so he dared to put his imagination to a second test. He continues:
"I wanted a sizeable bank account and this, to me, meant 'seeing' a large balance on my bank statements. Therefore, in my imagination I enacted a scene which took me into two banks. In each bank I would 'see' an appreciative smile meant for me from the bank manager as I walked into his establishment and I would 'hear' the teller's cordial greeting. I would ask to see my statement. In one bank I 'saw' a balance of $10,000.00. In the other bank I 'saw' a balance of $15,000.00.
"My imaginal scene did not end there. Immediately after seeing my bank balances I would turn my attention to my horse racing system which, through a progression of ten steps, would bring my winnings to $11,533.00 with a starting capital of $200.00.
"I would divide the winnings into twelve piles on my desk. Counting the money in my imaginary hands I would put $1,000.00 in each of eleven piles and the remaining five-hundred thirty-three dollars in the last pile. My 'imaginative accounting' would amount to $36,533.00 including my bank balances.
"I enacted this entire imaginative scene each morning, afternoon and night for less than one month, and, on March second, I went to the Caliente track again. I made out my tickets, but strangely enough and not knowing why I did so, I duplicated six more tickets exactly like the six already made out but in the tenth selection I made a 'mistake' and copied two tickets twice. As the winners came in, I held two of them -- each paying $16,423.50. I also had six consolation tickets, each paying $656.80. The combined total amounted to $36,788.00. My imaginary accounting one month before had totaled $36,533.00. Two points of interest, most profound to me, were that by seeming accident I had marked two winning tickets identically and also, that at the end of the ninth race (which was one of the major winners) the trainer attempted to 'scratch' the horse, but the Stewards denied the trainer's request." ...A.J.F.
How subtle were the threads that led to his goal? Results must testify to our imagining or we really are not imagining the end at all. A.J.F. faithfully imagined the end, and all things conspired to aid his harvesting. His "mistake" in copying a winning ticket twice, and the Steward's refusal to allow the trainer's request were events created by the imaginal drama to move the plan of things forward to its goal.
"Chance", wrote Belfort Bax, "may be defined as that element in the reality change --that is, in the flowing synthesis of events -- which is irreducible to law or the causal category."
To live wisely we must be aware of our imaginal activities or, at any rate, of the end which they are tending. We must see to it that it is the end we desire. Wise imagining identifies itself only with such activities that are of value or promise well.
However much man seems to be dealing with a material world, he is actually living in a world of imagination.
This answer is marked "community wiki".
answered 23 Nov '13, 11:13
Yes blubird just like colors numbers are vibrations that can easily intermingle. You can increase the resolution and give each number a more clearly defined vibration by associating each horse number in a particular race with one or more of the following distinct characteristics;
this information allows you to compose a more detailed distinguishing pattern for each number which you can assemble and use in conjunction with a suitable graph such as shown here
The concept "1st winner", "2nd winner", "3rd winner" ... can be magnified in a similar way so as to present a more detailed and clearer individual vibration. In effect each winner receives a specific predetermined money prize and sometimes a bonus, typically the 1st winner receives 50% of the purse, the 2nd winner receives 20% and the third 15% ... the exact details and prizes for each race can be found on the specialist sites.
A clear detailed plan of a precise target directs and activates your subjective feedback mechanism that always manifests itself quasi instantaneously through your physical body as a reflex in some form or another. In practice the subjective feedback mechanism means using a pendulum, stick pad, dowsing rods, ouija, any other physical means or simply through bodily sensations and reactions like hot, cold, shivers, tensions, discomfort, pleasure, knowingness, intuitions, images, words, automatic writing.
The really interesting part is when you can regularly recognize, perceive and correctly interpret your own individual immediate involuntary reflex mechanism manifesting itself in reply to a mentally posed question;
when you clearly imagine it you can do it.
Update 7th June;
Today I'm going to use the graph method for the 3rd race at Epsom Downs race track. For example to determine whether horse number 7 Beacon Lady will arrive 1st I trace the pattern of each of the individual major influences involved in the event on small squares of white card
and place them on the graph
O.Murphy is the jockey, W.J.Knight is the trainer and Pro-Claimers is the owner. On the center of the graph is the pattern composed of "1st" meaning "first at arrival" and "£218617" is the purse distributed to the winner. My pendulum will give a clear clockwise rotation when held above the center of the graph if the 7 wins, otherwise the pendulum will hesitate or even turn in an anticlockwise direction. The other horse numbers and positions at arrival can all be tested in a similar fashion.
So how does all this work? I like to think of it exactly as for feng shui, of feeling the flow of energies and arranging the various influences until they fit in nicely together like a jigsaw puzzle
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